JetBlue Using Porters Five Forces Case Study Example | Topics and Well Written Essays - 2000 words - 1

JetBlue Using Porters Five Forces - Case Study Example As the paper features, in contrast to different enterprises, the aircraft business is described by high beginning up and high running costs, which goes about as a boundary to section. So much is the costs that carriers that make it in the business either probably been begun somewhat before so as to make it up the contender stepping stool in a progressive way. Also, so much is the cost that little aircrafts must be partnered with huge carriers so as to make it in the business. So as to affirm that the danger of new contestants is insignificant, a glance at JetBlue shows that accomplishment inside the business was not acquired for the time being. Rather, the organization has step by step moved towards progress. The contextual analysis additionally shows that a few endeavors by certain carriers to make it in a similar market with Jetblue were not straightforward. For instance, US Airways was one of the five US Airlines that sought financial protection in 2006 attributable to the drop in incomes and expanded expenses. The organization doesn't have numerous providers. Just two of them are recognizable. Basically, this implies the supplier’s haggling power is high as the organization doesn't have numerous providers to look over. Aside from aircraft providers, different providers incorporate fuel providers and the current cost of fuel in the business is high. This again makes the haggling intensity of providers to be high. Since the aircraft has prescheduled flights, fuel gracefully is very significant as it can't stand to miss any carrier. This despite everything affirms that the suppliers’ dealing power is high and any of their activities can prompt genuine results on the industry’s part, for example, low effectiveness, which is profoundly identified with fuel gracefully and cost. Clients inside the carrier have a few aircraft choices to browse.

Yayoi Kusama Biography

Yayoi Kusamaâ is 82 years of age. Be that as it may, when she is wheeled in, on her blue spotted wheelchair, she looks progressively like an infant, the sort you may see played by a grown-up in a British emulate. Her face is enormous for a Japanese lady and at chances with her smallish casing. Aside from her extreme, saucer-formed eyes and the curve of dark red lipstick over her mouth, there is something manly about her highlights. She wears an offensive red wig and a dress shrouded in engorged polka dabs. Looped around her neck is a long red scarf enriched with worm-like dark squiggles.When she is out of the spotlight, without her splashy red wig and ostentatious outfits, she appears as though a pleasant, silver haired old woman. Be that as it may, in open circumstances Kusama’s workmanship and Kusama the craftsman unite. It seems as though the examples she has fanatically reproduced since adolescence have leaked off the canvas and into the three-dimensional universe of frag ile living creature and blood. Once in a while has a craftsman so plainly verbalized the specialty of the Sixties as the Japanese craftsman Yayoi Kusama. The importance of her work has to do with the particular timeframe in which she grew up and her view of craftsmanship is controlled by an inward energy.Her work additionally rises above prior built up and conventional fringes between orders of workmanship and among workmanship and life itself. Kusama’s vocation is established in her Japanese birthplace. Conceived in Matsumoto in 1929 she learned at the Arts and Crafts School in Kyoto. In 1957 she moved to New York, which was at the time the world focal point of contemporary. This move depended on her initial mindfulness that just in New York might she be able to proceed with her advancement as a contemporary artist.During the years she lived in New York it become clear that contrasted with the ordinary picture of the Japanese lady, she was a human dynamo of imaginative energ ies and rich HR. The aftereffects of these first years in the craft of Kusama were huge artworks, one of them 33 feet in length, of white nets which, without focus and compositional highlights, fanatically secured the canvas with such power that one had the believing the nets could proceed past the fringes. â€Å"My nets developed past myself and past the solicits I was covering them with.They started to cover the dividers, the roof, lastly the entire universe. I was remaining at the focal point of the fixation on the energetic growth and reiteration inside me. † (Kusama) These early works with their radical and entrancing monotonous energies were first displayed in little, obscure exhibitions in New York and Washington. It wasn’t some time before they had a universal effect and were appeared in the Monochrome Painting Exhibition in the Museum Schloss Morsbroich in Leverjusen, Germany in 1960.This worldwide show was a complete documentation of another idea in human exp ressions after World War II and included works by Lucio Ponatana and Piero Manzoni from Italy, Mark Rothko from the USA, Yves Klein from France, and Otto Piene and Guenter Uekcker from Germany. Yayoi Kusama was the main delegate from Japan, and her work was a one of a kind and free explanation of the new craftsmanship. The mid Sixties in New York were long periods of experimentation, and one of the prime trailblazers in setting turned into the Japanese foreigner Kusama.She extended the topical center of her work into subjects like sex fixation and tedious symbolism which just a lot later were identified with terms, for example, Pop Art and specialists, for example, Andy Warhol, Claes Oldenburg and Roy Lichtenstein. Since 1962 Kusama has made delicate figures, some of the time additionally alluded to as a sewing-machine models, and bits of phallic furniture which offered articulation to her hidden over the top theme of sex.In association with one of her initial shows in the Gertrude Stein Gallery in New York in 1963 she said â€Å"these new kinds of sculptural works emerged from a profound driving impulse to acknowledge in noticeable structure the tedious picture within me. At the point when this picture is given opportunity, it floods the constraints of reality. Individuals have said that presents an overpowering force†¦that passes by its own energy once it has begun. † It is apparent that the craftsman jumped at the chance to be a piece of these new works of figure as she frequently presented naked on her own manifestations of phallic furniture.The Infinity Nets helped Kusama remain ingested in her life. She wasn’t worried about Surrealism, Pop Art, Minimal Art, or whatever, simply remaining in her own head. I decipher the speck themes as speaking to an illusory vision. Multiplying specks affix themselves to scenes around Kusama, attempting to escape from clairvoyant fixation by deciding to paint the very vision of dread, from which an indi vidual would normally turn away their eyes. The dabs cause you to lose yourself and afterward that makes you face a greater amount of what’s genuine inside your mind.Kusama said â€Å"I paint them in amount; in doing as such, I attempt to escape†. Mirror Room (Pumpkin) was an establishment with a flawless conflation of two of her mirror establishments from the mid 1960s, the Peep Show and the Infinity Mirror Room, the 1993 Mirror Room (Pumpkin) comprised of a huge exhibition papered floor to roof with a yellow and dark spotted example. In the focal point of the space stood a reflected box the size of a little room, with a solitary window in a way suggestive of the 1965 Peep Show.At the opening of the display Kusama showed up in the room wearing a long sorcerer’s robe and looked cap, the two of which coordinated her environmental factors and made her converge with them in a way that reviewed early connections with her Infinity Nets and Accumulations. Outwardly a piece of the establishment, Kusama was likewise a functioning specialist, offering small yellow and dark spotted pumpkins to any individual who entered the space.These little pumpkins were an immediate reference to the 2,000 lire reflect balls that the craftsman had preposterously peddled from her Narcissus Garden at her first Venice Biennale. Lately, the act of Yayoi Kusama, presently in her eighties, has created in shocking ways. As of now, she has risen above sexual orientation and age, coming to look like no not exactly some endless being freed from the pattern of resurrection. In any case, then again, Kusama has challenged classification for quite a while, maybe in any event, rising above our very thought of art.In the Asian perspective on the universe †specifically, the antiquated Indian cosmology of the Vedic time frame †the major rule of the universe includes that of Brahman, encompassing the whole universe, and Atman, oneself, with the two associated by an undetec table vitality; while the unification of Brahman and Atman permits a getaway from resurrection and the interminable pattern of life and passing. This is a thought generally acknowledged by Brahmanism, Hinduism and the Jains.In Buddhism, be that as it may, however the possibility of resurrection and departure from its cycle by achieving nirvana is acknowledged, the Buddha focused on the enormous connectedness of everything as causal reliance, or pratityasamutpada. Along these lines of reasoning, which sees human presence, intentionally or unwittingly, as one piece of the entire of creation puts stock in an undetectable connectedness or relationship of circumstances and logical results, and could likewise be portrayed as the spatial idea hidden everything Eastern. Examining Yayoi Kusama’s practice considering this enormous view, we start o perceive how her consciousness of presence shares this equivalent immense feeling of scale. The mind flights, both visual and sound-related, Kusama experienced from her more youthful years have been ascribed to an anxious issue known as depersonalization condition. Those tormented are said to see and experience the self as though seeing from outside, separated from their own psychological procedures and human body. This is additionally clarified by Kusama’s remark that, through the demonstrations of painting and execution, ‘I have discharged this into a confused vacuum’;â ‘this' being the secretive something that no one but she can see and hear. I do locate the little takes a shot at paper from the Fifties and Sixties has this world in a grain of sand, this moment however galactic quality to it. When looking, you have that sentiment of, ‘my God what scale am I? ’ You lose all sense of direction in this exceptional universe and afterward are shocked when you consider that they’re just four inches wide. I think these naturally visible domains are extremely remarkable. Also, t hey’re unbelievably excellent. I was totally dazed when I initially observed them. I figured out how to see her presentation at the Tate Modern in London.I think it’s uncommon that someone so youthful, so distant and raised in such a customary situation was so ready to ingest the impact of Miro and Ernst and Klee whose work she most likely just observed in multiplication, at that point taking everything on and proceeding to deliver work of such creativity and in such extraordinary amount. What I love is the possibility that all the dayglow â€Å"brandiness† of her spots all returns to this mind boggling vitality from her mid twenties. She likewise organized many Happeningsâ€what you could call â€Å"Body Festivals†Ã¢â‚¬in her studio and in broad daylight spaces around New York.Some were destinations of power, for example, MoMA or Wall Street. Different locales, for example, Tompkins Square Park and Washington Square Park, were related with New Yorkâ₠¬â„¢s hallucinogenic nonconformist culture. She assumed the job of high priestess and painted the naked collections of models on the phase with polka spots in five hues. At the point when a Happening was organized now and again Square under her bearing, a tremendous group rushed to it. Yayoi was rarely naked, openly or secretly. At the gay bashes she coordinated, she generally remained at a sheltered spot with a supervisor in the studio to abstain from being captured by police.The studio would have been tossed into absolute disarray on the off chance that she had ever been captured. The police were essentially after a pay off. At the point when she was captured while coordinating a Happening in Wall Stre

The recuitment process from an employers perspective Essay

The recuitment procedure from a businesses viewpoint - Essay Example An elegantly composed resume presents the feeling that the applicant is sorted out and has great relational abilities - which is the foundation of all associations today. It is essential to recollect that as a representative you are offering yourself to the business and his association. A representative must be thought as far as a brand or an item that must pressure his advantages and clarify why the association should employ him. Indeed, even before associations open up the employee’s CV, they view the introductory letter which goes before the CV. The reason for a CV is to make enthusiasm for the business to contact the possibility for a meeting though the introductory letter makes enthusiasm for the business to peruse the candidate’s CV (Bovee et al., 2008). It is a typical error to address the business appropriately by utilizing a sexual orientation based expression ‘Dear Sir’ (Bovee et al., 2008). Utilizing expressions, for example, ‘Dear HR manag er’ mean demonstrable skill and hostile to unfair conduct in today’s corporate world (Bovee et al., 2008). Similarly, it is entirely expected to set the goal of an introductory letter as dreadfully broad. It should be explicit to the specific business that the up-and-comer is applying in which shows his/her aptitudes of the industry’s procedures or strategies. One more significant issue is that of the utilization of a particular pay (for example $2,000) instead of an expansive range (Hinds, 2005). Besides, it is urgent to perceive the way that businesses don't have a great deal of time to peruse records originating from a huge pool of candidates. Subsequently, it is a misbehavior to compose a protracted introductory letter (that surpassing two pages). In a perfect world, the best introductory letters range just a page (Brewer, 2010). Utilizing web language and not appropriately checking the introductory letter for spelling and syntax is another normal oversight (Bovee et al., 2008). This makes the impression of a fairly slack character of the candidate to the association. Most definitely, it is significant that it shows a â€Å"you-attitude† (Bovee et al., 2008). This is critical in every influential message including the CV. It is valuable to examination out of spotlight of the organization and its activities since managers are continually looking on how the representative can relate himself/herself to the organization (Bovee et al., 2008). CVs must not be excessively convincing; the language that is utilized must not portray that the applicant is anticipating quick reaction of being acknowledged or dismissed by the organization. This desire is incorrect; an acceptable CV doesn't bring about being acknowledged. It is the â€Å"gateway† to being acknowledged (Bovee et al., 2008). Moreover, up-and-comers frequently go through a few hours enumerating their encounters and interests accepting that their CV will be perused altoget her. Nonetheless, in all actuality most CV’s are perused by the PC and screened based on specific watchwords; it is critical to typify those â€Å"keywords†. Additionally, the most significant issue that associations report is the immediate utilization of the word â€Å"I†; CVs should consistently be introduced as far as what is known as the quiet â€Å"I† (Curtis and Simons, 2004). There are a few configurations for a CV at the removal of the competitor; an ordered, practical or blend design (Appendix 1 and 2). The ordered configuration is generally favored by businesses as it makes it simpler for the business to separate data. It is found that, very regularly, applicants frequently neglect to create successful CVs due to the

Intertextuality in The Moonstone - Literature Essay Samples

In 1987, Michael McKeon theorized that the novel form developed concomitant with the rise of the individual in English society. This correlation implies that the novel marked a shift from a communal experience of literature to a solitary experience of text: the writer writes alone, and the reader reads alone. In his detective novel The Moonstone, Wilkie Collins works against this paradigm by emphasizing the benefits of writing and reading together, contrasted against the dangers of leaving a subjective interpretation unchecked. Indeed, the novel itself is an amalgam of different narratives; the method of storytelling is communal. Within the text, however, Collins’ narrators also rely on other texts to distract, bolster, shift, or clarify their own stories. Collins’ insertion of various texts throughout the novel—novels, songs, letters, wills, pamphlets, receipts, newspaper articles, and footnotes—implies a certain anxiety toward and rebellion against the n otion that the novel is a solitary form, meant to be written and read by an individual. Of course, writing a novel without engaging or referencing other texts would be nearly impossible. Collins, however, takes noticeable advantage of every opportunity to use text as a method of conveying information. For example, rather than recognizing his own nightgown through sight or experience, Franklin Blake reads his â€Å"OWN NAME† on the garment, describing â€Å"the familiar letters which told me the nightgown was mine† (362). Letters and correspondence of all kinds fill The Moonstone’s pages, replacing potential dialogue. Examples include Rachel’s destroyed letter to Franklin Blake, informing him of her knowledge of his guilt and Rosanna’s admission to Franklin Blake that she kept his secret. Additionally, Collins introduces a competition between text and conversation in the scene during which Godfrey Abelwhite describes his Northumberland Street attack . Rachel insists that he â€Å"tell†¦the whole of the Northumberland Street story directly† because she â€Å"know[s] the newspapers have left some of it out† (244). Godfrey Abelwhite replies: â€Å"‘Dearest Rachel†¦the newspapers have told you everything—and they have told it much better than I can’† (245). In this scene, Godfrey places value on texts—even those of a public nature—as a superior way to mediate and communicate experience. Of course, the ending—in which Godfrey is revealed to be the thief—complicates this paradigm of valuing texts over direct communication. This troubled preferential treatment of text might express anxiety about whether or not the solitary form of the novel is sufficient to tell a complete story; equally valid, however, is the idea that intertextuality injects flexibility into the novel that offers a new possibility of the novel form as communal. Indeed, the first page of T he Moonstone privileges the outside text of Robinson Crusoe over the text of the narrative itself. Gabriel Betteredge introduces himself and his narrative through mediation of other texts, by quoting â€Å"the first part of Robinson Crusoe, at page one hundred and twenty-nine† (21). Like the scene in which Godfrey describes his Northumberland Street story, however, Betteredge’s invocation of Robinson Crusoe is a complicated intertextual move. On a level of form, Gabriel’s quotation supports the novel as potentially communal, by immediately inviting another author into the narrative. On a level of content, however, Robinson Crusoe is the quintessential solitary novel, literally stranding a man on an island to create a narrative. Moreover, Robinson Crusoe is often credited as the first novel, which makes Collins’ decision to invoke the text even more symbolically wrought. In the remainder of Gabriel’s narrative, he uses Robinson Crusoe to different e ffects. In certain scenes, Gabriel calls upon the text as prophetic and informative. In others, however, Gabriel recognizes the novel’s limitations. After Sergeant Cuff suggests that Rachel stole the diamond herself, Gabriel describes â€Å"the first trouble I remember for many a long year which wasn’t to be blown off by a whiff of tobacco, and which was even beyond the reach of Robinson Crusoe† (165). For most of his individual life, Robinson Crusoe serves to inform and guide Gabriel. However, when faced with the task of contributing to a communal narrative, the singular, solitary novel form fails. Collins presents Sergeant Cuff as a contrast to Gabriel, a character who fixates on one novel to inform his worldview. As a character, Sergeant Cuff represents intertextuality by introducing elements of the city into the Verinders’ country life, expressing apparently irreconcilable interests (i.e. detection and roses), and his attention to detail. His presence at the Verinder estate interrupts the coherent narrative of trust and transparency between mother and daughter, mistress and servant by implicating Rachel in the theft. The actual text Sergeant Cuff introduces to Gabriel’s narrative is the poem â€Å"The Last Rose of Summer† by Thomas Moore. Notably, Sergeant Cuff manages to express intertextuality without actually using text by whistling the song constantly. Although the lyrics are never explicitly included in the text, the novel’s guiding principle—that Sergeant Cuff has â€Å"never met with such a thing as a trifle yet†Ã¢â‚¬â€implies that the reference is worth exploring (125). Indeed, the lyrics of the poem reflect the tension between solitude and community through imagery of a rose â€Å"left blooming alone† (ln. 2). Although the first stanza of the poem evokes the loneliness of â€Å"the last rose of summer† whose â€Å"lovely companions/are faded and gone† (ln 1; 3-4), the speaker insists on community, even if that community must be achieved through death. The speaker instructs the last rose to â€Å"Go, sleep though with them†Ã¢â‚¬â€meaning the â€Å"lovely† roses whose death preceded her own (11-12). The lines â€Å"Thus kindly I scatter/Thy leaves o’er the bed† might even refer to the leaves of a book, reinforcing the idea that discrete texts work together to create a coherent sense of narrative community (13-14). The final lines of the poem complete the idea that could theoretically serve as Collins’ guiding rhetorical question while writing The Moonstone: â€Å"Oh! who would inhabit/This bleak world alone?† The morbid conclusion to â€Å"The Last Rose of Summer† highlights Collins’ use of wills, letters, and journals to allow characters to speak from the grave, often revealing significant details that change the course of detection. By using these other texts, Collins bypasses the nece ssary immediacy of dialogue and personal communication. Rosanna Spearman’s letter to Franklin Blake, left to him after her suicide, provides the perfect example of such intertextual information. The text proper seems to delight in the letter’s status as intertext on a number of levels. First, the â€Å"letter† actually contains multiple texts, including the short note, the nightgown, the memorandum, and finally the long letter. Second, Franklin’s method of reading the letter—by forcing Gabriel to read it and pick out the important parts—destroys the one-to-one writer-reader ratio that an independent text (like a novel) would imply. For the most part, Collins’ use of intertextuality expands the possibilities of the novel form. However, the manic, obsessive intertextuality found in Miss Clack’s narrative introduces an anxiety to intertextuality that Gabriel Betteredge’s narrative does not feel. Miss Clack’s narrativ e can only be described as hyperintertextual; her story includes a diary, footnotes, letters, pamphlets, books, and hymns. Although Miss Clack mourns her condemnation to narrate, she is nonetheless obsessively bound by texts of all kinds. Despite this, her original concern is the purity of her own narrative, saying, â€Å"not even [Mr. Blake’s] wealth can purchase my conscience† (232). Even though this concern appears on page two of her narrative, it ushers in the third outside text, Mr. Blake’s footnote. Before Miss Clack assures us of her â€Å"sacred regard for truth,† she has already invoked the Evening Hymn she sang as a girl and her meticulously kept diary (231-2). Just two pages later, Miss Clack expresses anxiety that her narrative is not sufficient to tell the story in a re-telling of the scene between Godfrey Abelwhite and Rachel. She says, â€Å"[l]iving in my present isolation, I have no means of introducing the newspaper account of the outra ge in my narrative†¦.All I can do is to state the facts as they were stated†¦to me†¦These lines are written by a poor weak woman. From a poor weak woman who will be cruel enough to expect more?† (234-5). This anxiety translates to total trust in outside texts when Lady Verinder confronts Miss Clack with her illness. Miss Clack’s â€Å"large experience† (which could be considered a â€Å"text† of its own) â€Å"informed me that this was another case for preparation by books. I possessed a library of works, all suitable to the present emergency, all calculated to arouse, convince, prepare, enlighten, and fortify my aunt† (256-7). Miss Clack shares Gabriel’s all-encompassing trust in words to guide and inform, but her books are decidedly not novels. In fact, she describes Mr. Bruff disparagingly as a man â€Å"equally capable of reading a novel and a tract† (258). Similarly, rather than using outside texts as a means of gui ding herself, Miss Clack views sharing these texts as a mission of mercy. She rejects the paradigm of reading as a solitary activity. This rejection comes to a climax when she leaves a creepy trail of books to haunt her aunt, even placing a â€Å"book among the groundsel† of Lady Verinder’s canary cage (268). The Moonstone’s narrators do not just write; they read and incorporate outside texts to different extents. One interpretation of this intertextuality celebrates the novel’s flexibility as an inclusive form. On the other hand, however, the novel expresses a certain amount of anxiety that the novel form alone—communally structured though it may be—is not sufficient to solve a crime. Collins structures every clue the novel provides to be an outside text, a move that casts doubt on the idea that putting together discrete narratives can lead to a coherent whole. After all, the novel’s detectives never recover the diamond; they merely uncover who took it.

Enron The Poor Corporate Governance System - 2025 Words

Enron was once a very large and powerful company that was admirable to many but now it is the focus of many examples on what not to do in business. The poor corporate governance system in place at Enron not only caused the company to fail but it also ruined many people’s lives. People had the idea I their head that Enron was too big to fail but that kind of assumption should never be made about a company. Enron is an example of a company that appears to be following all the rules from the outside but a deeper look reveals all that they had been doing wrong. The start of Enron was the start of what could be a very promising business but perhaps their methods back in the beginning are what made them in to what they became. Enron formed with†¦show more content†¦This success that he was seeing could have been what lead him to go over the top he thought that his current success would lead to future success and this drove him to continue to come up with as many new and creative ways for the company to do things that would bring them a bigger and bigger profit. Enron tried to follow many of the rules that are out there to prevent this type of down fall but in the end these rules still didn’t end up helping the company. One way a company can help make sure that the executives have the best of the company in mind is to pay them with stock in the company. The goal of this is to make sure that the executives interests align with the interests of the company and its shareholders. Enron tried this method but it didn’t pan out as they expected. Using this method could have caused the executives to be â€Å"not asking the tough questions.† (Lavelle, 2001). Having an independent audit committee is also another way to make sure that the company stays strong and doesn’t break any rules. An audit committee is responsible for the company’s external audit and to prevents managements manipulation of the audit (Larcker Tayan, 2016). This is something that it appeared that Enron was doing well from the outside but in reality the audit committee was letting just about anything pass them by. To fit the NYSE (NewShow MoreRelatedPorsche Changes Tack1008 Words   |  5 Pages MINI-CASE 2 Governance Failure at Enron If all publicly traded firms are operating within the same basic corporate governance system as Enron., why would some people believe this was an isolated incident, and not an example of many failures to come? The tragic consequences of the related-party transactions and accounting errors were the result of failures at many levels and by many people: a flawed idea, self-enrichment by employees, inadequately-designed controls, poor implementation, Read More corporate governance Essay947 Words   |  4 Pages Corporate governance is a very poorly defined concept; it covers so many different economic issues. It is difficult to give a first class definition in one sentence. Corporate governance has succeeded in attracting a great deal of interests of the public because of its obvious importance for the economic health of corporations and society in general. As a result, different people have come up with different definitions that basically mirror their special interest in the field. It is difficult toRead MoreEthical and Unethical Behavior in Business662 Words   |  3 Pagesthe long term survival of both private and public organisations. Do you agree or disagree? Explain. The recent history is littered with organisations that collapsed because of unethical practises .Governments everywhere are increasing concerned with poor business conduct as they affect, not only the organisation but their shareholders and the national economies as a whole. This essay will look at a few recent examples of private companies that collapsed as a result of dubious business dealings andRead MoreEnron Of Natural Gas Pipelines Enron1144 Words   |  5 Pagesof natural gas pipelines Enron was formed through a merger of Houston Natural Gas, and Nebraska pipeline company Internorth. Enron went on to create energy derivatives and in 1990 formed Enron Finance Corp. By 1996 Enron had also formed Enron Capital and Trade Resources increasing their growth from $2 billion to $7 billion and increasing division employment from 200 to 2,000. In 1999 Enron entered the technology market by creating Enron Online (EOL). By August of 2000 Enron stock hit its zenith atRead MoreU.s. Sarbanes Oxley Act1611 Words   |  7 Pageswitnessed a series of corporate bankruptcies in the recent decades like Enron, Lehman Brothers Inc, Global Crossings, and Tyco in the USA; HIH in Australia, Parmalat in Italy, APP in Asia, and Islamic bank Ltd. of South Africa. These collapses have weakened and shaken the confidence of shareholders, debtors, governmental institutions, and other similar relevant stakeholders in corporate governance (CG) and the stock markets, and led to regulating many reforms and codes of best governance practices all overRead MoreEfficient Capital Markets, Corporate Disclosure and Enron12656 Words   |  51 PagesRepository Faculty Scholarship Series Yale Law School Faculty Scholarship 1-1-2004 Efficient Capital Markets, Corporate Disclosure and Enron Jonathan R. Macey Yale Law School Follow this and additional works at: http://digitalcommons.law.yale.edu/fss_papers Part of the Law Commons Recommended Citation Macey, Jonathan R., Efficient Capital Markets, Corporate Disclosure and Enron (2004). Faculty Scholarship Series. Paper 1419. http://digitalcommons.law.yale.edu/fss_papers/1419 This ArticleRead Morecorporate governance1590 Words   |  7 PagesSummary: Corporate governance is an essential part of modern company operations and management , it relates to business ethics, code of conduct and system to manage a company. However, there are many corporate scandals due to the failure of corporate governance. This report analyzes the corporate governance from multiple aspects. It is through the understanding the relationship between corporate governance and business ethics, evaluating the ASX principles as a guidelines to corporate governance and analyzingRead MoreA Primer On Corporate Governance1236 Words   |  5 PagesKluyver, C. (2013). A primer on corporate governance (2nd ed.). New York, NY: Business Expert Press. Introduction: In my review of A Primer on Corporate Governance by Cornelis A. de Kluyver I intend to examine, evaluate, and break down his key points. The book provides a general view on how corporations govern themselves, and the internal and external forces that effect and constrain them. The biggest external force is of course the US Government and the variety of laws and regulations imposed uponRead MoreAgency Theory and Corporate Governance3335 Words   |  13 Pagesï » ¿Agency Theory And Corporate Governance Introduction The global market has shown exemplary contribution to the growth of the worlds development until recently where financial crisis have been bombarding most economies. As a result, the cost of livelihood had been unaffordable to many who live below the dollar. The monetary crisis has led to the lowering of many currencies against the dollar, hence advancing the economy crisis to most worldwide nations. This turn of events has been attributed toRead MoreRole Of Microfinance Institutions ( Mfis )1476 Words   |  6 PagesMicrofinance institutions are playing an important role in the delivery of financial services to the poor. Increasingly, these MFIs are for-profit, limited liability companies, the ownership of which is in the hands of multiple shareholders. In most cases, shares are privately held (i.e., not publicly traded). Most such MFIs are licensed financial institutions finance companies and banks. Many are deposit takers. The microfinance industry has directed to change all that by building a financial market

The Disappearance Of Childhood By Neil Postman - 944 Words

Even though childhood has change for the better there is an argument stating that childhood is disappearing â€Å"at a dazzling speed† (Postman, 1996) says that there is a closing gap between childhood and adulthood. Neil Postman (1996) claims this in his book â€Å"The Disappearance of Childhood†. Postman theory was purely based on the way that communications through technology were made which shapes society today. He thinks that due to the technology such as television and the Internet children nowadays are much likely to have more access to the ‘adult world’, thus childhood to be disappearing (Postman, 1982). He claims its â€Å"Frankenstein Syndrome† consequence of the mass media is mainly the responsible for the usage of television, and the social media. Palmer (2007) parallels this study with Postman (1982) and thinks that parents tend to use technology such as television and electronic games to keep their children occupied and to be quiet due to their busyness or maybe too preoccupied by consumerism to give the children the traditional childhood. The book makes durable case for the traditional values and through her study has noticed that children need to develop skills such as developing their focus. She also recommends real food rather the ones high in sugar and more fish oil, eaten at family meals. Another study has also been made by Pugh (2002) he proposes that parents that spends time with and on their children is â€Å"consumption as compensation†. The parents who are â€Å"cash-richShow MoreRelatedThe Deterioration of Childhood Innocence Due to Media and Consumerism 1708 Words   |  7 Pagesâ€Å"Children are the living messages we send to a time we will not see,† said Neil Postman in his novel: The Disappea rance of Childhood. In recent generations, the ideal of childhood innocence has been disappearing due to several factors of modernization. But the innocence of youth needs to be protected so children will learn and grow in healthy ways, rather than rush into adulthood. It is a grown-ups’ responsibility to build a metaphorical wall between a child’s innocence and various types of mediaRead MoreEssay on The Age of Technology2078 Words   |  9 Pagesan expert in analyzing technology ¹s effect on culture. In the technological world Neil Postman is a well regarded as a cultural critic for his opinion and for his view of technology today. He is also known for other books such as, The Disappearance of Childhood, and Crazy Talk, Stupid Talk. The book that I concentrated on was a book entitled Technopoly: The Surrender of Culture to Technology. In this book Neil Postman reasons that ultimately the technological world will render us more harm, than benefitRead MoreAssess so ciological explanations of cha1814 Words   |  8 Pagesï » ¿ Assess sociological explanations of changes in the status of childhood? Childhood is a social construction and varies between times, places and groups. Most sociologists see our ides of childhood as a fairly recent one, the result of industrialisation and other social changes. Modern society constructs childhood as a tie of vulnerability, innocence and segregation from the adult world. The March of progress sociologist believe we live in an increasingly child-centred society. They state that childrenRead MoreThere Is No Such Universal Category of Childhood. Discuss.2366 Words   |  10 Pagescategory of Childhood. Discuss. To have a universal category of Childhood, all first hand and second hand experiences of Childhood must be the same to a certain degree. The term â€Å"universal† demands that all definitions and takes on the term must be the same without any equivocation. The interest in the concept of Childhood in terms of Sociology has increased massively since the 1980’s (Mayall 2002, James et al. 1998, Prout 2000, Lee 2001). Many Sociologists have analysed Childhood not only in contemporaryRead MoreAssess the Sociological Explanation That Childhood Is a Social Construction.1499 Words   |  6 Pagesexplanation that childhood is a social construction. Childhood is the time of a person’s life when they are a child. Childhood is said to be socially constructed, meaning that it has not been influenced by nature but has been shaped by the quality of family life and the culture within society. The social construction of childhood points out that childhood is dependent on a number of social factors rather than a biological stage. Sociologists argue about what the term ‘childhood’ actually means. TheyRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 Pagesalso used surrogates to bear children for them, and the majority of women gave birth in hospitals, although home births were more common in poorer, less-industrialized countries. Finally, the introduction of new vaccines dramatically lessened childhood mortality, cutting the emotional costs of parenting. In sum, the medicalization of conception, pregnancy, and childbirth was one of the striking changes in women’s lives in the modern world. Women in Global Culture Religious observance became

Homeless monologue Essay Example For Students

Homeless monologue Essay The task we have been set is to write a monologue about a character that has featured in the last few lessons, Link, Vince, Carole or Mum from the extract from the novel Stone Cold. Or, if we dont want to do one of them we can be someone who is currently living on the streets. We also have to write about the set, costumes, lighting, sounds and props that we could use to suit our characters personality and mood. The character I have chosen to do is a different homeless person. This way, I can invent the character myself and play them in a complete different way. I can give them any background and any personality. The personality I have chosen for my character is a strong one because they have been living on the streets for a number of years. Costume, sound, lighting, set and props.  The costume that I would have would be a simple one. Grubby shoes, torn jeans and t-shirt or jacket with dirt on it. This way I can show the audience what it can look like to live on the streets. I wouldnt have any music for when I am performing, but I may just have daily noises such as traffic, pedestrians talking to indicate the location. As I would be on the streets at night time, I would just have spots of light to represent street lights, and it would be quite dim to represent the time of day. I would have a carrier bag of newspapers, maybe a sleeping bag. The set could also have a few leaves on to give the character something to do while they are talking to the audience, and I could also interact with the audience making the need for props less essential. My character  My character would speak to the audience as if they are telling a story. I would talk normal to them as if I am telling a story to a friend then get more angry when I start to talk about how they dont know whats it like to live on the streets. My character would move like a homeless person, they would have their head down, they would shuffle their feet, they would keep their hands in their pockets most of the time as they are cold, theyd be looking around all the time for maybe the police, or someone to ask for money. They could be scratching from nits or lice. Monologue  Ã‚  Ã‚  Some spare change please? For a cuppa? To decorate my living room?  Ã‚  Of course, I live on the streets. I dont have a room to live in. I dont even live! I survive.  My names Charlie, not that you care, and I dont expect you to remember it. I came here  Ã‚  4 years ago now. I came looking for adventure and did I get it? Yes, I did.   How did I get here? Blame the parents. Thats what my mum used to say when she saw a kid doing something wrong. And yeah, I blame them for me coming out on to the streets.  Ã‚  My dad reckoned you could teach kids better things  Ã‚  Like the back of a hand.  Ã‚  He used to beat me. Ha-fucking-ha.  Ã‚  Of course, I see you pass by me all the time. Like most,  Ã‚  You fumble in your pockets for coins and find only paper. But do you give that? No. Im worth only 10p or 20p to most of you. And I remember faces. To you, I probably look like all the others, indistinguishable from the rest of the faces covered in the crap of this city.   Its cold isnt it. Even though its summer. This place can be cold all year round; faceless, cold, uninviting.  Ã‚  But you lot wouldnt know. Youre all nice and cosy in your nice warm homes surrounded by a loving family.  Ã‚  You dont know what its like on the streets. Not knowing when or what youre going to eat next. Not knowing where youre going to sleep tonight. .uecd06e1d4a0a6e8717fcc21f1f120e39 , .uecd06e1d4a0a6e8717fcc21f1f120e39 .postImageUrl , .uecd06e1d4a0a6e8717fcc21f1f120e39 .centered-text-area { min-height: 80px; position: relative; } .uecd06e1d4a0a6e8717fcc21f1f120e39 , .uecd06e1d4a0a6e8717fcc21f1f120e39:hover , .uecd06e1d4a0a6e8717fcc21f1f120e39:visited , .uecd06e1d4a0a6e8717fcc21f1f120e39:active { border:0!important; } .uecd06e1d4a0a6e8717fcc21f1f120e39 .clearfix:after { content: ""; display: table; clear: both; } .uecd06e1d4a0a6e8717fcc21f1f120e39 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uecd06e1d4a0a6e8717fcc21f1f120e39:active , .uecd06e1d4a0a6e8717fcc21f1f120e39:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uecd06e1d4a0a6e8717fcc21f1f120e39 .centered-text-area { width: 100%; position: relative ; } .uecd06e1d4a0a6e8717fcc21f1f120e39 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uecd06e1d4a0a6e8717fcc21f1f120e39 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uecd06e1d4a0a6e8717fcc21f1f120e39 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uecd06e1d4a0a6e8717fcc21f1f120e39:hover .ctaButton { background-color: #34495E!important; } .uecd06e1d4a0a6e8717fcc21f1f120e39 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uecd06e1d4a0a6e8717fcc21f1f120e39 .uecd06e1d4a0a6e8717fcc21f1f120e39-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uecd06e1d4a0a6e8717fcc21f1f120e39:after { content: ""; display: block; clear: both; } READ: Sociological Aspects of Sports Researchs Essay  But hey, thats homelessness.  Ã‚  Being homeless isnt missing your train and sleeping at the station on those crappy chairs. Its like a disease, a cancer spreading. No one cares, why should they? If it hasnt happened to you, it isnt your concern. Like other diseases, you think you can get rid of it with drugs. It needs money, funding for a cure. We  Ã‚  Are the human cold. You know its there but you have to put up with it, pretend it dont exist. Carry on with life. Living like this makes me feel like life is a rollercoaster with no brakes, or Im sitting in car that I have no control over. Impact is coming. Is it a waste? I dont think my life is. If it was, I wouldnt need your money, or guilt. They amount to about the same thing.  Ã‚  58p. 58p. 58 fucking pence. And thats what you gave me during 3 days.  Ã‚  Well it was nice chatting. I got to get to sleep. Got an early start tomorrow catching you lot as you come out of Waterloo Station. If you pass by there you might see me and my dog. He, at least I think its a he, hasnt got a name; these things are pointless on the streets. Can you remember mine?  Ã‚  Didnt think so. No one cares anyway. Thanks for listening, been nice to talk to someone else. It makes a change. Just not the change I want.